Bach etc. - Stolen Roses - Diaz-Latorre

Rating: 5/5

Review:
A lovely disc

This is a lovely disc of Baroque lute music.  I hadn't heard Xavier Diaz-Latorre play before and I am impressed.  He has excellent technique and plainly really gets the music of the period.

The music is by Bach, Biber, Telemann and von Westhof; all of it is very good music indeed.  The Bach suite and the great Chaconne from the Partita in D minor are the most familiar works here and Diaz-Latorre gives them real life and depth – as he does to all of the music here.  His thirteen-course lute sounds lovely and it is very well recorded, so it's a fine disc all round.  If you have any interest in the lute or in Baroque music, I can recommend this very warmly.

Boesset - Je meurs sans mourir - La Poeme Harmonique

Rating: 5/5

Review:
A lovely disc

This is a lovely disc of early 17^th-Century instrumental and vocal music.  I sometimes find music of this period a bit of a challenge, but I love this disc.

Boesset was a new composer to me, but I am very glad to have made his acquaintance.  He was a court musician and composer whose work is represented here in a variety of moods and in both instrumental and vocal settings.  It is beautifully played and sung by members of La Poeme Harmonique, who are a very fine ensemble indeed.  They play with an easy virtuosity and produce a simply lovely, rich sound and the singers are uniformly excellent.  All bring genuine feeling to each piece and there is never any sense of sameness, which I do sometimes get in programmes from this period.

My suggestion is that you listen to a few samples.  If you like what you hear, don't hesitate; this is a beautiful disc, excellently performed and recorded and which I can recommend warmly.

Rameau - Les Tendres Plaintes

Rating: 3/5

Review:
Fine playing, questionable interpretation

This is an interesting idea and Sylvie Proulx plays very well, but I'm not wholly convinced by this disc, I'm afraid.

Rameau's music is very firmly French Baroque, with powerful rhythms and some intricate counterpoint in places.  Proulx is plainly a very fine guitarist who gets the counterpoint part very well indeed, making these often complex textures sound unforced even in some virtuosic passages.  However, her emphases, phrasing, use of rubato and even the tone of her guitar at times give a much later, more Romantic and more Spanish feel to these pieces so that at times I feel that I might almost be listening to Sor or even Albeniz.  It is striking that when she adopts a more harpsichord-like tone and stricter rhythm in Le Rappel des Oiseaux, I found the whole thing worked much better.

These are matters of personal taste, of course.  Rameau's music is terrific, Proulx's playing is technically excellent and the recorded sound is very good, so if this style appeals to you it's a disc which should give a lot of pleasure.  Personally, though, I can only give it a qualified recommendation.

Isaac, Senfl - Missa Carminum etc

Rating: 2/5

Review:
Spoiled by poor instrumental sound

I'm afraid that this recording, originally from 1967, has not aged well. 

The singing is actually very good, but the addition of instruments is a problem.  It's a perfectly legitimate move, based on practice in Isaac's time, but the effect here is, to my ears anyway, very unsuccessful because the recording makes the chaumes sound as though someone is playing a loud and distracting kazoo along with the male voices.  Frankly, it ruins the whole thing for me; in the brief passages when they are quiet, the performance is rather good, but then they come back in and wreck it again.

I'm sorry to have to say this because Isaac and Senfl are very under-represented in the catalogue so any recording should be very welcome – but not this one, I'm afraid.

Toys For Two - From Dowland To California

Rating: 4/5

Review:
Very enjoyable

I like this disc.  I was almost put off by the name of the duo, but I'm glad I wasn't because it's an enjoyable and imaginative collection.

These are pieces arranged for lute and triple harp, largely by English composers of the 16^th and 17^th centuries.  There's good stuff here from Dowland, Byrd, Holborne, Locke and others, which sounds very good in these arrangements and is well played.  What lends the programme a bit of spice, however, is the inclusion of five transcriptions of tracks by – wait for it – Led Zeppelin: Bron-Y-Aur, Bron-Y-Aur Stomp, Black Mountain Side, Tangerine and Going To California, all very familiar to me from my teenage years.  This could be dreadful, but in fact I think it works really well.  They are obviously modern, blues-influenced pieces, but to me they don't jar with the others and I find them very enjoyable indeed.

I'm not sure I quite buy the arguments advanced in the notes by Luca Pianca about "elements that inseparably link it [the Led Zeppelin pieces] to the musical and cultural past of the glorious Albion," but he (slightly convolutedly) asks that "the non-judgmental listener pass their judgement on the outcome of this project," and my judgement is very favourable.  This is a proper programme of well played lute music with some imaginative and very enjoyable modern inclusions which I can recommend warmly.

Josquin - The Spirit Like A Dove - Apollo5, Ingenium

Rating: 5/5

Review:
A very fine disc

I think this is a very fine disc.  The music is wonderful and it is very well sung.

The music is a parody mass based on Richafort's motet Quem dicunt homines, possibly by Josquin, and Factum est autem which is an undisputed Josquin motet.  Whatever their authorship, both are truly lovely works.

The singing is excellent, with faultless intonation, very nice balance and blend, and a  lovely fluency of line.  The singers bring out all the depth and spirituality in the text and the overall sound is lovely.  There's a resonant (but not over-resonant) acoustic which makes the basses in particular really ring, perhaps at the cost of a little distinctness of individual parts sometimes, but that's fine with me.  It's wonderfully beautiful and just a pleasure to listen to.

The notes by David Wyatt are very interesting.  He makes some very good points about the methodology used to try to authenticate works attributed to Josquin and presents a very plausible case to consider this mass as authentic.  I am not qualified to pronounce on the matter, but to my ears it's certainly good enough to have been written by him.

In short, this is a very fine release all round, which  can recommend very warmly.

de Visée - Pieces de Theorbe - Moreno

Rating: 5/5

Review:
Excellent

This is an excellent disc.  I like many of Jose Miguel Moreno's recordings very much, but this is probably my favourite.

Robert de Visée was active in the late 17^th and early 18^th Centuries and his music is full of very engaging baroque rhythms and counterpoint.  Many of his works are suites of dances (two of which are included here) and they are all thoroughly enjoyable while having genuine intellectual weight.

Moreno plays them superbly.  He has the excellence of technique to make this sometimes very demanding music sound quite natural, and a beautiful tone to his theorbo.  He judges the rhythmic freedom excellently, bringing shape and feeling to the music while never straying into over-romantic gestures.  It's exemplary playing, I think.

If you like the theorbo, lute music in general or just enjoyable, well-played music, don't hesitate.  This is terrific and very warmly recommended.