Rating: 5/5
Review:
Terrific Bach
I think this is a terrific recording. I was hoping for something special from
Isserlis and Egarr, who are both magnificent musicians, and I got it.
The combination of cello and harpsichord works extremely
well. n his typically thoughtful,
scholarly and readable notes, Steven Isserlis comments on the unusual problem
of balance between the two instruments with the cello being the louder
instrument here instead of having to "make its presence felt with some
difficulty over the rich sound of a modern piano." For me, they get it just right nearly the
whole time, with everything sounding as though it were written for just these
two instruments. I suspect that Bach,
himself an incessant arranger and transcriber, would have approved.
Egarr and Isserlis bring real feeling and life to these
works. I have sometimes felt that Bach's
gamba sonatas have been just a bit of a struggle to get through, even in
recordings by great artists like Jordi Savall or Paolo Pandolfo. I find this hard to explain, but it's true. Here, however, the richness of the music and
wide range of moods seem to shine throughout, and interspersing the Handel and
Scarlatti sonatas is a brilliant idea.
It makes a programme which works exceptionally well and maintains
interest from beginning to end of the disc.
Even if you are dubious about the idea of the
cello/harpsichord combination in these works, I would recommend giving this
disc a try. I think it works extremely
well and the sound is beautifully captured by Hyperion so the whole thing is an
immense pleasure to listen to. This is
great music, superbly played by great musicians and I can recommend it
extremely warmly.
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