Thursday, 17 March 2016

Bach - Sonatas and Partitas - Galbraith


Rating: 3/5

Review:
Virtuosic playing, but the interpretations aren't always for me



This is excellent in many ways, but I'm not quite as bowled over by it as some reviewers.

The first thing to say is that Paul Galbraith is an excellent musician whose mastery of the eight-string guitar is remarkable.  He has the quality of technique to make even the most demanding passages here sound natural and straightforward, and the sound of his instrument is simply lovely throughout. 

The transcriptions, by Galbraith himself, are also very good.  The nature of the violin means that the harmonies in Bach's original pieces are often (brilliantly) implied rather than explicitly stated and Galbraith does a fine job of filling in the harmonic structure to suit an instrument which can sound many notes at once, without overlaying the music with superfluous additions.

My reservations are purely personal and lie in the interpretations, which, although they have a lovely overall sound, seem to me to lack some of Bach's essential pulse and drive in places and certainly aren't varied enough in approach for me.  The mighty chaconne from the D minor Partita, for example, needs some bite and even emotional bleakness in places, but the continuous flow of soft-toned notes and gentle phrasing to me robs it of a good deal of its power.

Many people have found this set a real delight and you may well agree, so do read other reviews as well, but for me, however excellent the playing, this doesn't quite hit the spot and I can only give it a qualified recommendation.

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